This information is part of the .
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Professors ³Ҵǻå´ڰù±ð²âÌý(Chair), Kaimal, Marlowe,ÌýSchwarzer, Stephenson |
The Department of Art offers courses of study in the history, theory, and practice of the visual arts for the general liberal arts student as well as the art history or studio art major.
Art History The department offers more than 20 courses that trace the visual arts in their historical, social, political, and cultural contexts from antiquity to the present day. Classroom lectures may be supplemented by visits to museums in the area and in New York City, as well as ¸Ա¾ÊÓƵ's Clifford Gallery, Picker Art Gallery, and Longyear Museum of Anthropology.
Studio Art Courses explore creative modes of expression and problem solving while gaining familiarity with contemporary issues in visual art. The curriculum supports a variety of mediums including digital art, drawing, painting, photography, printmaking, sculpture, and video art at the introductory and advanced levels. Studio arts courses are enriched by an ongoing series of visiting artists' lectures, exhibitions, and screenings as well as regular visits to New York City galleries, museums, and artists' studios.
Departmental Exhibitions, Lectures and Screenings
The Clifford Gallery is a teaching gallery featuring four to six exhibitions a year. Exhibitions are selected by the department faculty to explore issues central to the academic curriculum, with the primary focus on professional work by contemporary artists. These artists are often featured in the public lecture series described below. The Clifford Gallery is open to the entire community and contributes to the cultural life of the central New York area.
The Department of Art Lecture Series Lectures take place throughout the semester in Little Hall's Golden Auditorium. The series features presentations by studio artists, art historians, and critics, and serves as an arena for discussion of a wide range of subjects relevant to the study of the visual arts. The series is open to the community. It also serves as a venue for welcoming ¸Ա¾ÊÓƵ graduates back to discuss their work in the arts profession.
The Alternative Cinema Series takes place frequently on Tuesday evenings. Tied to the filmmaking curriculum, this series is programmed to include films and videos ranging from "classic" cinema to the current avant-garde. Each semester several film/video makers, historians, or curators visit campus and present work in person.
Honors and High Honors
Students interested in pursuing honors in a major can find the additional requirements on the relevant major page. Use the links below in the Majors and Minor section to navigate.
Awards
The Fitchen Award for Excellence in Art and Art History — awarded by the department to an outstanding major.
The Harriette Wagner Memorial Award — established in 2004 by Professor Joseph Wagner, created in memory of Harriette Zeppinick Wagner. The award will be given annually to the senior major whose work exemplifies the way visual arts enrich the spirit and express the dignity of human beings.
Transfer Credit
The department allows two courses to be transferred for credit toward the major, with prior approval of the courses by the department. No seminar taken outside ¸Ա¾ÊÓƵ or outside the art department will fulfill the seminar requirement within the art history major.
Study Groups
Students are encouraged to participate in study groups; they may not schedule off-campus study during the fall of their senior year. For information, see .
Majors and Minors
Major
Minor
Courses
- ARTH 101 - Caves to Cathedrals: The Art of Europe and the Mediterranean to the 13th Century
- ARTH 103 - Arts of Asia
- ARTH 105 - Introduction to Architecture in Cultural Context
- ARTH 107 - What is Modern Art?
- ARTH 109 - Buddhist Arts in Asia
- ARTH 110 - Global Contemporary Art
- ARTH 207 - Roman Art
- ARTH 208 - Marble, Gold, Silk, and Glass: Art of the Middle Ages
- ARTH 216 - Nature's Mirror: Renaissance Arts 1400-1550
- ARTH 220 - Early Modern European Architecture
- ARTH 226 - Nature's Order: Baroque Arts 1550-1750
- ARTH 232 - Latin American Modern and Contemporary Art
- ARTH 236 - Art and Politics in the 19th Century
- ARTH 238 - Transatlantic Avant-Gardes: 1880-1920
- ARTH 240 - Art and Theory 1950-1980
- ARTH 243 - Art & Theory 1980 to Present
- ARTH 244 - Housing the Sacred in Ancient India
- ARTH 245 - Palaces and Paintings of India
- ARTH 246 - From Emperors to Anime: Pictorial Practices in China and Japan
- ARTH 254 - How to Buy a Work of Art
- ARTH 255 - Museum Exhibitions: Design, Rhetoric, and Interpretation
- ARTH 257 - Colonizing and Decolonizing Museums
- ARTH 262 - War and Plunder
- ARTH 270 - Critical Museum Theory
- ARTH 277 - Modern Architecture 1880-1970
- ARTH 291 - Independent Study
- ARTH 309 - Scandals, Controversies and Debates in the Art World
- ARTH 344 - Hindu Temples: Architecture and Sculpture, Architecture as Sculpture
- ARTH 346 - Latin American Modernism, 1922-1968
- ARTH 348 - Modern Art on Display
- ARTH 360 - Borderlands
- ARTH 361 - Boundary Consciousness: 1960s Art
- ARTH 381 - Seminar in Art History: Pre-1300
- ARTH 382 - Seminar in Art History: 1300-1800
- ARTH 383 - Seminar in Art History: After 1800
- ARTH 391 - Independent Study
- ARTH 475 - Senior Project: Art History
- ARTH 491 - Independent Study
- ARTS 100 - Introduction to Studio Art
- ARTS 106 - Principles of Architecture: The ¸Ա¾ÊÓƵ Campus as Laboratory
- ARTS 130 - Art and Storytelling
- ARTS 131 - Public Art and Public Space
- ARTS 132 - Art and Activism
- ARTS 133 - Eco-Art
- ARTS 201 - Digital Studio: Code, Recipes, Spells
- ARTS 202 - Digital Studio: Distribution and Intervention
- ARTS 211 - Drawing
- ARTS 218 - Interdisciplinary Design Studio
- ARTS 221L - Required Film Screening
- ARTS 221 - Digital Filmmaking
- ARTS 223L - Required Film Screening
- ARTS 223 - Analogue Filmmaking
- ARTS 231 - Painting
- ARTS 241 - Analog Photography
- ARTS 242 - Digital Photography
- ARTS 251 - Printmaking
- ARTS 263 - Sculpture: Surface and Form
- ARTS 264 - Sculpture: Material & Process
- ARTS 271 - Design Principles in Architecture: Iteration, Failure, and Creative Process
- ARTS 291 - Independent Study
- ARTS 312 - Advanced Drawing
- ARTS 322L - Required Film Screening
- ARTS 322 - Advanced Filmmaking
- ARTS 332 - Advanced Painting
- ARTS 342 - Advanced Photography
- ARTS 354 - Printmaking II
- ARTS 357E - Cracow, Poland (Extended Study)
- ARTS 375 - Advanced Projects in Studio Art
- ARTS 391 - Independent Study
- ARTS 406 - Senior Project: Studio Art
- ARTS 491 - Independent Study
- ARTS 499 - Senior Project Intensive